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RE\FORMATION Installation, PANik 7, Media Opera, Vienna

9/16/2012

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GERMAN:
Video ist ein häufig behandeltes Subjekt, wird aber nie aus der Perspektive der Macher beleuchtet. Der Abend wird sich intensiv mit professionellen Perspektiven auseinandersetzen, ist mehr dem Austausch von Erfahrungen und Prozessen gewidmet als dem abgeschlossenen Resultat. So werden eine Reihe von Einsatzfunktionen von Video betrachtet, von der Verwendung als praktisches Werkzeug für Dokumentation und Prozessentwicklung bis hin zur Verwendung als Kunstwerk selbst. - Video, ein Instrument für ästhetische und thematische Diskussionen. Die Video-Kamera zwischen technischer Bildproduktionsmaschine und einem Status als Partner in der Performance.

Die holländische Performancekünstlerin und Dokumentarfilmemacherin Jeanette Groenendaal wird live performen und ihre Doku-Fiktion REFORMATION in einem Performativen Akt neu schneiden. Sie befragt darin ihre Vergangenheit in einem kleinen Dorf im "Bibelgürtel". http://www.g-netwerk.nl/

Eine Zusammenstellung von Videoarbeiten unterschiedlicher Macher wird in einer Raum- Installation im Loop präsentiert, im Rahmen eines diskursiven Spazierganges durch die Nacht werden Arbeiten besucht und diskutiert. Andreas Spiegl wird die Konversationen mit theoretischen Reflektionen begleiten.
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PANik7 Performance and Video

9/8/2012

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from sunset to sunrise – a night of video and performance

Live Performance
Jeanette Groenendaal






Videos: Nikolaus Gansterer & Emma Cocker, Ana Hoffner, Lisa Kortchak, Jack Hauser, Annja Krautgasser, Machfeld, Martina Tritthart, Oliver Hangl, Michikazu Matsune, Rodrigo Pardo, Clelia Colona, Jan Machacek, Billy Roisz, Frans Poelstra, Sabine Marte, Martin & The evil eyes of Nur, Raul Maia, Otmar Wagner, Kozek herlonski / Sir Meisi.

and a theoretical input by
Andreas Spiegl

Organized and curated for PAN by
Anat Stainberg
Daniel Aschwanden

ENGLISH:
The evening looks at a range of video functions; from a practical tool for documenting and process development into the art piece itself as an instrument – serving an aesthetic or thematic discussion. And the video camera; from a technical provider of image to a participant – a character in the performance.

Live performance by the Dutch performance artist and documentary film maker Jeanette Groenendaal. The performance follows her last creative documentary REFORMATION in which she questions her past in a tiny village along the fertile river delta in the Netherlands. http://www.g-netwerk.nl/

Collection of videos from diverse makers will be presented as an on going loop, some makers will also present their work live!!

Andreas Spiegl will lead conversations and theoretical reflections, live, through out the night.


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REFORMATION a film by Jeanette Groenendaal, Official Selection IDFA 2011, FILMSTILLS

10/19/2011

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Synopsis
At the age of seven, director Jeanette Groenendaal moved to a deeply religious village. It was the 1970s, and the girl's arrival from the big city of Utrecht provoked fear in the hearts of the inhabitants of the small hamlet in the Dutch Bible Belt. They saw her as an "alien" and a "city whore," and treated her accordingly. The teacher at her strict Calvinist school called her the "Devil's daughter" and the whole class repeated his words. Thirty-eight years later, Groenendaal (Dutch Cocaine Factory, 2007) returns to the village to film a personal study of the scapegoat mechanism. She sets up a complex performance/film project in the village, staging tableaux performances based on the frozen images from her memories of this emotionally charged location. This stylized autobiography is more than a personal therapy session or a documentary about a fundamentalist community. It returns to the past, not out of revenge or a need to judge, but to investigate the roots of a past that is returning to the present, with the contemporary outpouring of religion, conservatism, xenophobia, and judgmental moral standards. Workshopped at IDFA 2009, Groenendaal had the public contribute their thoughts and feelings to the creation of the film.


Vertoningen
Munt 10 Sun 20-11 16:00 sold out
Brakke Grond Expozaal Tue 22-11 22:00 tickets
Tuschinski 3 Thu 24-11 12:45
Tuschinski 2 Sun 27-11 14:15 tickets

Credits
Director Jeanette Groenendaal
Photography Jeanette Groenendaal
Screenplay Jeanette Groenendaal
Editing Zoot Derks , Jeanette Groenendaal
Sound Jeanette Groenendaal
Music Stephanie Pan, Stelios Manousakis
Production Jeanette Groenendaal for G-netwerk
Audio Post  Warning Studios
Color Correction  Jeroen Weeda
vertaling Stephanie Pan
subtitling Zoot Derks

Additional Camera
Martin Hansen
Jandries Groenendijk
Zoot Derks
Baronesse van Wassenaer

Performances
Eva van Kleef
Lotte Duncker
Cille Lansade
Manah Depauw
Stephanie Pan
Otobong Nkanga
Jihyun Youn
Susanne Ohmann
Jochen Stechmann
Sarah Manya
Voin de Voin


Met dank aan Het Nederlandse Filmfonds O en O, Fnnds BKVB LIVE en AFK DasArts en vele vele anderen!
IDFA pagina REFORMATION



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08 03 2011, 21;30 uur ///REFORMATION, De Balie, Amsterdam

1/6/2011

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TO BE PRESENT, International Womans day
08 03 2011/ 21:30 uur Jeanette Groenendaal, 


Artikel   International Women’s Day
24 Hours: met o.a. Hedy d'Ancona en Ann Demeester tentoonstelling Dit programma duurt 24 uur! 24 Hours To Be Present – International Women’s Day is een culturele marathon in de Balie in Amsterdam die geheel wordt vormgegeven door vrouwelijke kunstenaars, critici, ontwerpers, wetenschappers, theatermakers, musici, dichters, dansers en schrijvers. Acht maart; international Women’s Day, staat 24 uur lang in het teken van vrouwelijke kunst.

LET OP: Dit evenement begint in de nacht van maandag op dinsdag om 00.00 uur en eindigt 24 uur later om 00.00 uur.


Er zijn 96 deelnemers, elk kwartier presenteert een vrouw een schilderij of beeld, een gedicht of foto, een gerecht of video, een performance of lied, een statement. Elke kunstenaar is live aanwezig gedurende deze 15 minuten. Om 12 uur ’s middags is er een debat met o.a. Ann Demeester, Hedy d’Ancona en Anna Tilroe. Het debat wordt geleid door Hadassah de Boer.
Het programma wordt om 00.00 uur geopend door Moniek Toebosch met “Maria Rubens”. 24 Hours To Be Present – International Women’s Day is een poëtisch manifest waar een groot publiek, zowel mannen als vrouwen 24 uur lang van kan genieten. Deelnemende kunstenaars tussen 18 en 96 jaar oud, zijn o.a. Moniek Toebosch, Hester Scheurwater, Jeanette Groenendaal, Sara van de Heide, Beppie Blankert, Sanja Mitrowic, Lili Jampoller, Els Kloek en vele anderen. Er is een uitwisseling met FEM Girona en City of Women Ljubljana.

24 Hours To Be Present – International Women’s Day wordt geproduceerd door Stichting Performance en is geïnitieerd door Anet van de Elzen en Danielle van Vree.

Voor de agenda en reserveringen zie: 24 Hours To be present
Plaats: De Balie, Kleine-Gartmanplantsoen 10, 1017 RR Amsterdam
Tijd : 7 maart 00.00 uur – 8 maart 00.00 uur
Prijs: € 15,-/€10,-. Kaarten zijn de hele dag geldig

De zaal heeft een beperkte capaciteit, reserveren wordt aanbevolen.





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